Thursday, September 29, 2022

10 Great Modern Slashers

 

Is this blog just about slashers now? Well… um… maybe? I dunno, but it’s my page so I make the rules! Of course, I love slashers! I love all kinds of horror movies, but since that passion began when I first saw the one-two punch of Halloween (1978) and Friday the 13th (1980), slashers have held a special place in my heart.

 

            Now, we’ve done a lot of lists on here about slasher movies from that great heyday of the 1980’s. It was the infamous boom of stalk-n-slash, after all! However, the grand tradition of a deranged killer knifing their way through a group of hapless teens didn’t die when that decade ended, no sir! The genre has soldiered on during the intervening decades, delivering homages, send-ups, love letters, and new villains to get tattooed on your neck. With this article, let’s take a look at a few of the good ones!

 

            For the purposes of this list, we won’t be including any remakes, reboots, or sequels. Michael Myers, Jason Voorhees, and Freddy Krueger never really left us, but I want to focus on the modern slasher. You know, scrips that are self-aware and hip! The Scream (1996) blueprint! So, as always, without further ado…

 

10 Great Modern Slashers!

 

10) Urban Legend (1998) dir. Jamie Blanks

 

            Any time a movie opens with Brad Dourif, I’m in. Urban Legend is generally considered to be one of the better tail-end entries in the 90’s “hip” slasher boom that began with Scream. A bunch of college teens and Jared Leto (oof, that doesn’t age well) must contend with a killer picking them off in the manner of various campfire stories á la “the killer is in the backseat!” It also takes a page from the campus slashers of old and features Robert Englund as a professor!

 

 

 

9) Laid to Rest (2009) dir. Robert Hall

 

            Gore FX guru Robert Hall graduates to director with this low-budge splatter-fest featuring a villain deserving of being a genre icon. Chromeskull is an enigmatic murderer with a, well… chrome skull mask. But he also has a video camera on his shoulder to film his kills! The narrative is lean as it’s essentially just one long chase sequence, but the violence is remarkably graphic. Effectively, the movie is just a chance for Hall to show off his practical gore effects skills. That’s not a bad thing though, because said effects are truly impressive, and the pace never really lets up. It’s a fine… uh… slice of independent filmmaking.

 

 

 

8) High Tension (2003) dir. Alexandre Aja

 

            French director Alexandre Aja became popular in the US with his ultra-gory remakes of The Hills Have Eyes (2006) and Piranha (2010). Before coming to Hollywood though, he let loose with this example of extreme horror popular in his home country. A young woman staying with her friend’s family in the country must survive the night when a deranged killer invades their home. The gore is wince-inducing here, featuring a handheld buzzsaw and decapition with… *checks notes* a bookshelf?

 

 

 

7) Hell Fest (2018) dir. Gregory Plotkin

 

            Like Tobe Hooper’s The Funhouse (1981), Hell Fest makes use of the extra-creepy carnival setting as a backdrop for a masked murderer to do his grisly thing to as many teens as possible. What makes this installment good is that it is a return to the simplicity of 80s slashers. No gimmick, no wiser-than-their-years sarcastic characters, just a creepy location and a bad guy with sharp implements. What’s not to love?

 

 

 

6) House of 1000 Corpses (2003) dir. Rob Zombie

 

            When he’s not royally screwing up the Halloween franchise, Rob Zombie actually makes some damned good movies. His first film concerns the Firefly family, a motley group who like to murder hapless passersby in the middle of nowhere… essentially The Texas Chainsaw Massacre but with neon lights and Sid Haig. Zombie creates a truly demented world as disturbing as the real roadside tourist traps it features. A harrowing work of art. Oh, and it has a host of familiar faces, including Walton Goggins, Sheri Moon Zombie, Karen Black, Rainn Wilson, and Bill Moseley!

 

 

 

5) Hatchet (2006) dir. Adam Green

 

            “Old School American Horror” is the tagline for this genuinely special homage. Kane “Jason Voorhees” Hodder plays a modern horror icon in Victor Crowley – the murderous ghost of a deformed backwoods monstrosity. The Louisiana swamps setting is inspired, and the kills are ludicrously over the top and gory as hell. On top of that, a healthy dose of irreverent humor makes the brutality a little less serious, making Hatchet a breezy, bloody ride. Cameos from Robert Englund and Tony Todd sweeten the deal, so horror junkies are sure to be in for a treat.

 

 

 

4) I Know What You Did Last Summer (1997) dir. Jim Gillespie

 

            Screenwriter Kevin Williamson hit paydirt with his script for Scream, and immediately set out to write another smash with his wise-crackin’, hip teens slasher formula. The summer before college, Jennifer Love Hewitt, Freddie Prinze Jr., Ryan Phillipe, and Sarah Buffy – er, I mean Michelle – Gellar accidently run over a guy walking in the middle of the road at night. Instead of calling 911, they dump the body in the ocean. The next summer, they start receiving mysterious notes claiming knowledge of what they did and are stalked by a killer in a rain slicker and a big ol’ hook. While the gore quotient is lower here than pretty much every other entry on this list, the plot has a timelessness to it that pushes it into iconic territory. It’s just simply too fun to ignore.

 

 

 

3) Fear Street (2021) dir. Leigh Janiak

 

            Okay, so this installment is really THREE movies in one. Fear Street is a slasher trilogy based on R.L. Stine’s book series. Each installment is subtitled by the year in which it is set. 1994 is a Scream-styled homage, while 1978 is a summer camp slasher straight out of Friday the 13th, and 1666 blends the slasher approach with good old fashioned folk horror. All three films come together to tell an effective, fun, and terrifying tale of witchcraft, serial killers, and demonic possession. Unmissable. And, for fans of Stranger Things, 1978 features a show-stealing performance from Sadie Sink.

 

 

 

2) X (2022) / Pearl (2022) dir. Ti West

 

            Ti West is a horror filmmaker who has just hit his stride. After his first hits House of the Devil (2009) and The Innkeepers (2011), he established himself as a director to watch. X and its consecutively filmed Pearl are quite simply two of the best modern movies made in the slasher genre. The first, X, is part Texas Chainsaw Massacre, part Dario Argento. It centers on the untimely demise of a group of young people in 1979 attempting to make an adult film on a secluded farm. Mia Goth plays the heroine Maxine and the octogenarian villain Pearl. Blood and boobs are the order of the day, and it is all done masterfully. The second film, Pearl, is the villainous backstory via Disney that we never knew we needed. Mia Goth reprises her role and turns in one of the best performances in the history of slasher cinema.

 

 

 

1) Scream (1996) dir. Wes Craven

 

            The only reason X isn’t in the top spot is because it just has to be Scream. It’s rare to find a movie that holds up this well after twenty-five years, and horror legend Wes Craven’s tale of horror-obsessed teens, aided by Kevin Williamson’s dynamite script and firecracker dialogue, remains as thrilling and witty now as it was in 1996. There isn’t a single weak link in the cast, which includes Neve Campbell, David Arquette, Courtney Cox, Skeet Ulrich, Rose McGowan, Matthew Lillard, Jamie Kennedy, and Drew Barrymore! The film is also bloody as all get-out, and by the end the red stuff covers practically everything. Naturally, no rundown would be complete without a mention of Ghostface, a villain that has deservedly joined the ranks of Michael, Jason, and Freddy as horror royalty. It’s a love letter to slasher movies that manages to transcend the genre to become a classic in its own right.

 



No comments:

Post a Comment